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The South Florida Jazz Scene...

with Al Kanovsky

For years, no two people have been more ubiquitous in the South Florida jazz audience than Al and Flo.  Al has agreed to share his take on the jazz scene in this semi-regular column.  In the near future, we will create an RSS feed.  In the meantime, please bookmark the page and visit often to get Al's skinny.

 

Nothin' Flat in 4/4 Time
 
Sunday was my kind of day---JAZZ from sunrise 'til midnight. Started the day with breakfast (of course) and watching thr stream from Essential Ellington. Talented high-schoolers competing for the award. During the break in the broadcast I headed for the Riverwalk JAZZ Brunch to listen to Debbie Orta with Mike, Nicky and Carlomagno. Then back home for the afternoon broadcast and the announcement of the top 3. South Florida did it again, Dillard and New World right there. Now it was time for an early evening libation. I use that term because I don't drink until dinner time. Flo and I headed for Fish Tales. One of our favorite blues guitarists, Darryl Raines, was playing with Clay Goldstein (harp). Clay is also a "fav" and was recently married. Congratulations. On stage with them was the host Dr. Bob (drums) Dr. Bob Cleary (bass)  and Julius Sannon (guitar). When you listen to bands like this you just must fall in love with 'The Blues".
Following this early set was Bobby Nathan and his band. Bobby (guitar), Andy G (drums), Muggy Doo (B3) Doug Treen (sax&harp) and Steve B (bass). The Bobby Nathan band ain't Swiss Cheese either. They had everybody clappin' & tappin'. They were joined by Patrick Friones (guitar) and Darryl. We stayed late and enjoyed every note. Can't wait for big band night at Satchmo's on Monday. We understand that they will show the competition in full again during the week. Flo will do the research and we will try to let you know, when, where and how. 		 May 6, 2012
 
May 3, 2012 Flo and I ventured forth Wednesday, the weather having cleared, and ended up at the Van Dyke. Actually it was our chosen destination. And, what a great choice it was. An evening of 100% pure-unadulterated JAZZ. A quartet made up of Troy Roberts & Gary Keller (tenor sax's) Emmet Cohen (organ)and Dan Susnjar (drums) played a program of contemporary JAZZ classics. The group was so good that even the folks at the bar were silent. The audience paid rapt attention to every note played. Rick Katz had joined us at our table. Midway into the first set a woman arrived who sat down with a gentleman at an adjoining table. She commenced talking immediately and continued into the next number. Rick and I were rolling our eyes. Flo decided to be direct and in a polite, discreet, typical New York manner ask the lady to please refrain until the break. What Flo actually said, having been born to the manor, sounded a lot like "Shut Up!!!" to me. The woman did, shut up I mean, and then picked up her Blackberry and commenced texting. I imagine she was telling all her friends what a nice woman she had just met.

The MJC did something different Monday night. It took a step away from what we typically call JAZZ and featured a band named "Gaucho". The band takes its name from an album done by "Steely Dan". The program consisted of music played by the "Steely Dan Band". Was it JAZZ? Rock? Fusion? Acid? Metal?---I am not a musical scholar so the answer evades me. I do know that the level of musicianship was at its height. I had heard some of the musicians in the band before, some others I hadn't even heard of. Their presentation was flawless. Every solo a lesson on performance art. One side of me was loving it. The other side felt resentment. This was the music that helped bring about the demise of JAZZ popularity in the U.S.A.
It wasn't the music's fault. It started with the novelty tunes like the ones done by Louis Jordan. Then "doo wop" with The Belmonts, Duprees and Little Anthony. Coming up The Beatles, Rolling Stone. Next the Beach Boys "There's a Riot goin' On" "California Dreaming" , The Allman Bros. Band  with "RamblinMan" and "Sweet Melissa".  Then "Guns & Roses", "Kiss", "Metallica" and "Steely Dan".---"Hip-Hop", "Rap". Rock, Hard Rock" "Acid" "Metal"  The popularity of JAZZ waned. Venues closed or featured the latest craze. JAZZ gigs were hard to come by except in Asia or Europe. I was upset by the trends. Now I have to confess I was wrong. Music will always be modified by the young people attracted to it. It is a natural progression. My older siblings liked Basie, Ellington and Goodman. I liked Kenton, Raeburn, Gillespie and Parker. 
Prior to the "Gaucho" set, we had the jam. Unfortunately, one or two too many rum and tonics clouded my memory so the names have eluded me. My sincerest (hic--hic) apologies to everyone who got up there to Jam for us.  
 
I finally got around to reading last Sunday's New York Times. No, I do not do the crossword, or should I say I can't. On next to the last page of the main section, there was a full page article about a saxman by the name of Guiseppi Logan. Mr. Logan is a 76 year old JAZZ musician of my generation. The story of his past is tragic and in someways uplifting. Drugs were his downfall. His escape from its terrible hold, brought to mind the people we've known and loved who were lost to this devastating habit.
When I was 16, I was fortunate to have had some music lessons and a good "ear". Unfortunately, I had little talent and was too lazy to study harder.I could fake it just enough to put together a quintet to play the Borsht Belt and lucky enough to meet a comedian, B.S. Pulley. Mr. Pulley had a small club in Miami Beach named the "Pump Room". He needed a band that was dumb enough to take his checks on payday. There were plenty of joints in Lummus Park (now known as South Beach) that had live music and livelier girls. The Pump Room had plenty of girls. None of them danced on stage, although they waltzed in and out the door with regularity. The band played "Love For Sale" & "Boulevard of Broken Dreams" at least 15 times every night.
There were lots of young cats in bands all around the town. Most, if not all, smoked "grass". The few who were playing big times gigs, would occasionaly snort cocaine. Those who could not afford the price of "white lady" might shoot the less expensive, but decidedly more addictive and deadly, heroin."Horse" was the scourge of JAZZ musicians in my younger days. Two of the talented young musicians I met died of overdoses before their 19th birthday.
Think about the entertainers we loved. The hippest comedian I have ever heard, Lenny Bruce, died on a dirty bathroom floor,with a "spike" in his arm.
Just recently Whitney Houston was found dead---in a bathtub. Chet Baker, Stan Getz, Janis Joplin, Jimmi Hendrix, the revered and loved "Lady Day" and many others have paid the dearest price possible for a love affair with drugs.
I write this selfishly. Drugs not only took the lives of so many but they stole the hours of pleasure I might have enjoyed if they had lived.
Guiseppi Logan lives day to day. Playing his sax on a park bench in New York City. Guseppi has not lost hope. He recently recorded a CD which he tries to sell to passerby. Somedays he sells one or two. Other days none. Few stop to listen to him play. As a young man he was critically acclaimed. Drugs stole his life. Don't give them a chance at stealing yours.
Wriiten in memory of---------------------		 April 28, 2012
 
April 14, 2012
Talk about going around town in nothin' flat. Flo and I have been on what seems to have been a road trip. But well worth the miles in exchange for the sounds. Wednesday night Nicole Henry returned from her tour of Russia to appear at BJB's. As tired as she must have been from the long flight earlier that day, she put on a fabulous frock and sang her heart out for an appreciative CROWD. The rhythm section was the band she played her first JAZZ gigs with in the not so long ago. Danny Burger (drums), Mike Orta (piano) and Paul Shewchuk (bass). Thursday, almost right around the corner at Kitchen 305 (Newport Hotel), Maria Rivas also returning from Europe played with a great quartet including Jaimie Ousley (bass). Friday we bounced around from here and there including Satchmo's and ending up with Ike Woods Revue at BJB. Saturday, we joined Rick & Fran Katz for a concert at the Miami-Dade Cultural Center. This is a must go to venue. The theater holds 900 and is architecturally magnificent. Superior acoustics and sound system make the listening experience even better. The Turtle Island String Quartet were performing a tribute to the music of John Coltrane. What music lover could miss it?  Truth be told, it will take a little time for me to become comfortable with the voicing of a traditional classical string quartet playing "the Trane" charts.  On the way home, after all it was only around 11 PM, we stopped at Gamaroffs on Federal Highway to catch the last set of Anthony Corrado and Lourdes. A bunch of folks hanging out late, clappin' their hands and tappin' their toes. Thank the Lord for Sunday. Sleep late and then music, music, music.   First to Fish Tale for Patrick Fiornes and some blues. Then to BJBs for Barbara Vann, Mike Orta and Linc Lacky and their Sunday Jam. We scooted up to Commercial, where a German restaurant we like had set up temporary service, for dinner. Back to BJBs for the American debut performance of Nanami Morikawa. The room was abound with many well known South Florida JAZZ stars. Wendy Pederson and her bass guitar husband, Lisanne Lyons, Rick Harris, Samm, the Real Tracy Fields, and MJCs Rick Katz. All of the aforementioned (except Rick Katz, thankfully, and Tracy) gracefully took the stage during the 2d set. Ms. Morikawa captured the audience with her very first song. Her rhythmic sense and proficiency at bending melodic lines made for an astounding performance. Please excuse the superlatives but they are all well deserved. Nanami was surrounded by all the talent you could fit on that small stage. Carlomag(nific)o Araya (drums), DOCTOR Jaimie Ousley (bass) and Jim Gasior "Jimmy the Jammer G" on piano. Wendy, Lisanne, Rick and Samm helped make the evening an exceptional night of hand clappin' and toe tappin'. Flo and I are taking Monday off to sharpen our ear drums for the rest of the week. Don't forget the tribute to Benny Goodman with Peplowski and the South Florida Jazz Orchestra coming up soon. Get your tickets early.
 
Somebody must have told them where Flo and I live. JAZZ is sprouting up in places so close I might take up walking. (That's a joke).  A roast beef restaurant named Gamiroff's  started their JAZZ program Friday night with Troy Anderson and the Wonderful World Band. Dolph Castellano on keys, Rick Dahl on Bass and Tito Cruz on drums with Troy playing trumpet and doing vocals. The room is perfect for JAZZ. High ceilings, oval bar, tables and hi-hats, attentive service and reasonable prices on menu items. We stopped by late and there were still JAZZophiles hanging out and diggin' the sounds. Gamiroff's is on Federal Hwy just south of Hallandale Blvd. Kitchen 305 continues its Thursday night JAZZ session with Maria Rivas having returned from a trip to Spain. They are located in the Newport Hotel in Sunny Isles. I could probably swim there if I was 30-no-40-no-50-no-60, yeah! That's it. 60 years younger. No walking, no ocean swimming, just tappin' my toes and clappin' my hands to JAZZ/JAZZ and all that JAZZ.  April 14, 2012
 
April 11, 2012 We're back. Flo and I, I mean. Just in time to catch 4 MJC Founders at Blue Jean Blues this Wednesday. It's Danny Burgers showcase and tonight the spotlight was on Joe Donato. Actually they used broad beam because joining Joe on stage were Brian Murphy (piano) and Dr. Jamie Ousley (bass). The band started the evening with a series of Duke Ellington numbers with Joe utilizing the teeny soprano sax. (I told him not to put it in the dryer). A few numbers later he strapped on the new tenor sax. New as in 1957 model Selmer. What tone and what verve Joe displayed. I think that tenor saxophones are like Viagra to reed men. You could hear Illinois Jacquet, Gato Barbero and even the young new cats like Troy Roberts in Joe's very original playing of this horn.

BJB is coming up on its third anniversary and has been consistent in its search for talent that brings joy and happiness to BJB's customers. They have a loyal cadre of JAZZ lovers in attendance every night. Melody and the whole crew continue to improve with age.

Newest addition to the JAZZ scene is Gamaroffs on Federal Hwy. in Hallandale. JAZZ Friday and Saturday nights
 
"Sad to say were on our way, won't be back for many a day" This Wednesday was the last of the season for the JAZZ in the Gables event. Sad in a way but joyous in another. Wendy Pederson capped the year with a smile on her face and in her voice. The "Take Out Queen" was the "Rhythm Princess " of the day. As part of her performance, Wendy wove two songs together. "When I Fall In Love" and "Since I Fell For You". Unusual combination but she made it work. Wendy was backed by an all star trio consisting of Jim Gasior (piano), Carlomagno Arayo (drums) and Julio Hernandez (bass guitar). I don't in any way mean to impugn Julio's machismo but he is Wendy's husband and in many circles he is known as Jay Hernanderson. (just kidding) He is, as they all are, a very talented musician and is usually on tour with headlining groups. We had a great crowd of listeners including the Mayor, our oldest fan (the shimmy lady) who is over *=&@!<: old and our youngest fan, David (not quite 6) and his brother Antonio. They were delighted to meet Wendy who also has a son named David and another whose middle name is Antonio. Mike Cadan, who sat in at the Rent Party on Monday night, came by just in time to hear Wendy's original composition "They Call Me The Take Out Queen". His reaction to the lyrics was audible and visible. Everyone else enjoyed it as well. I'll close with "Good Night Sweet Series"   March 28, 2012
 
March 27, 2012 Miami JAZZ Co-op's Rent Party this past Monday proved how powerful a music force JAZZ has become in South Florida. The co-op is about to become two years old and has formed a coalition of musicians and listeners that is a wonder. The audience Monday night had as many musicians who not only come to jam but to listen to their fellows perform. It was a heck of a night. The rhythm section to start the evening had Brian Murphy (keys) Carlomagno Arayo (drums) Martin Hand (guitar) and young Jeff Saunders (bass). Gary Keller was out front on Tenor sax. Michael Cady was in town and delighted the audience with the fun filled parody "Benny's From Heaven". Who was listening besides a throng of loyal and newcomer fans? I saw Jim Gasior, Chuck Bergeron, Wendy Pederson and many more. Lisanne Lyons was the featured artist. note: I had known that Ms Lyons was a distinguished educator but found out last night that she has a PhD. as well. From now on it will be Dr. Lisanne. Suddenly I find myself knowing more and more doctors. Fortunately most of them are musicians and not physicians. The good Doctor had listeners leaning forward in their seats and tappin' their feet. Back in the day, they would have said "Great pipes on that chick". Today, respectfully I just say "WOW".  Jim, Chuck and Carlo accompanied her on a dynamic 1 hour set. After the featured set the Jam began, If you weren't there you missed a very exciting performance. Again it was the younger playing alongside the elder. Emmet Cohen (21) was at the keys while Brian Lynch played vibrant trumpet. They both are at Miami U's Frost School. Emmet a student and Brian on the faculty. We have a great number of young talented JAZZ players here in South Florida. To bring special attention to them the MJC and The Stage will sponsor the first Student Rent Party in the coming weeks. Reserve that date for a sure to be opportunity to listen to the JAZZ stars of the future. Another bit of good news is that MJC's relationship with The Stage has been scheduled to continue until the end of the year. There are several other events scheduled so check the website for more information. A shout out to the guy I call "Carlomagnifico". No other drummers in the house. Not to worry. He did all 3 sets and didn't even break a sweat or sticks.---toes tappin', hands clappin' enjoying the heck out of life and all that JAZZ.
 
Wednesday continues to be JAZZ day in south Florida. Afternoons at MJC's event, JAZZ in the Gables and evenings with many choices. This week at the noon session Rodolfo Zuniga headed up the band with Dave Siegel (keys) Eric England (bass) and Dave Fernandez (all the saxes). I'd like to make comment on creativity. Creation is in His hands. Creativity is in the heart and mind of all JAZZ musicians. The group proved it, playing original compositions by each of them. In addition I think He approved as the rain was held off and even a little sunshine peeked through. Part of the museum is an old fire house (maybe the first in the Gables) complete with bell tower and bas-relief of firemens' heads and helmets. Last time I mentioned some of the more senior listeners. This week we were joined by David (almost 6) and Antonio (he's already 7). The two boys and I must share some DNA as they were bobbin' their heads, clappin' their hands and tappin' their toes through-out the performance. It reinforces my hope that JAZZ will continue to evolve and thrill us. March 8, 2012
 
March 6, 2012 The news of Lou Columbo's tragic accident spread through the South Florida music scene the other day. Although Lou only played here during the "season" he was a well listened to trumpeteer. He played with his best pal Gilly DeBenadetto(sax) every Monday night at Pa' Degenarros in Fort Lauderdale Beach for many years. This Monday a host of musicians and fans paid tribute to his memory. Looking around the room I saw faces I recognized from other music venues. Lots of well known JAZZ players were there as well.

Sitting in with the band were Dolph Castellano, Rick Harris, Linc Lackey and Mari Bell amongst others. A good number of local cabaret singers performed as well. I'm sorry that I didn't get their names. It was a celebration of a fine musicians life and a fitting memorial. Rick Harris was playing bass when we arrived. During the break, a friend of mine asked him to play trumpet for the audience. Rick walked over picked up his cornet and returned to us, silently lifted the horn to his lips and blew a beautiful rendition of Hoagy Carmichaels "Stardust", without any accompaniment. It blew the listeners away. During the next set a gentleman friend of Lou's sang "Smile" in tribute. We hope and pray that Lou is now safe in His hands, standing alongside Gabriel, Dizzy and Harry James.  
 

The two JAZZ spots described in the following are probably just 35 miles apart. A half hour or so on the famed I95. Ideologically & musically they are twins. But in no way identical. Wednesday afternoon at 12:15 the MJC presents JAZZ in the Gables at the Coral Gables Museum. Wednesday night at about 8:00 the Danny Burger showcase at BJB's. MJC had Troy Roberts on Tenor. BJB had Ira Sullivan on horns. One from the era to come. One from an era past. Both incomparable artists. The venues are a different matter and represent the complete opposites of the JAZZ spectrum. JAZZ at the Gables is held in an almost pristine courtyard with listeners basking in the sun or chilling in the shade of an umbrella. Danny's showcase is in a JAZZ joint with JAZZophiles standing elbow to elbow at the bar or crowded together at small tables. The Gables hushed, BJB's raucous at times. I am fortunate enough to find either location "convenient" travel wise. When JAZZ men like Troy & Ira are appearing it wouldn't make any difference. Flo and I would make every attempt to be there to listen. Troy's rhythm section had Dave Chiverton (drums), Derick Fairholm (keys) and Eric England (bass).

Ira had Danny Burger (drums), Brian Murphy (piano) and Dr. Jamie Ousley (bass). I don't have to tell you that I enjoyed every moment and every single note of both bands. A group of  about 25 American Veterans came to the Gables. They honored us all by their presence and hope they return. Rick took the opportunity to thank them all for their sacrifice. We hope they choose to return.

A bunch of guys and gals I know and don't know were at BJB's. Young, old and in between including Tommy and Babette and Yale and Isabel and Deborah and Duane and Bill and----I could go on through fifty or so names of folks we recognized but I might choose to take a nap instead. Anthony Corado and Lourdes entertained prior to Danny's Showcase. Interestingly, as part of their segment Lourdes sang "Wade in de River" which was one of the spirituals sung at St. Johns this weekend. It made me, once again realize, how deeply rooted JAZZ is in American history.   Hey!!!! A shout out to Mike Orta who celebrated his BIG 50th. Feliz Birthday to you, Mike. A thought just came to me. (A thought you say????) Yes!!! Whenever I try to say a particular musician is a favorite of mine, I realize that they are ALL favorites and that is why we always have a place to go to listen to our beloved JAZZ. 

 

 March 1, 2012
 
February 22, 2012 Monday and Tuesday, Flo and I went up North (Palm Beach) to visit with three of our grandchildren who were visiting with their other (wealthier) grandparents. We thought we would catch some of the bands playing up there but the kids kept us busy during the day and left us exhausted at night. The reason for mentioning our grandchildren will become clear shortly. Wednesday became another day/night doubleheader. The afternoon at Jazz at the Gables was, without equivication, (in deference to the collegians who performed) JAZZ vocal perfection. Boys and girls (I use that terminology 'cause they are all of an age that they could be our grandchildren) no let me say, young women and young men proved to me that our beloved JAZZ is in good hands and will continue to be so for many years to come. Under the direction of Larry Lapin, the choir and accompanying rhythym section ran the gamut of JAZZ genres. Straight ahead, Latin (with a pair of the young women playing trombone and another doing a great flute solo) and spiritual. One of the selections was actually a tone poem done by graduates of the program under the direction of Dr. Lisanne Lyons. The singers using their voices as instruments, had the audience mesmerized, with jaws agape but still tappin' their toes. The hand clappin' came with the Gospel-tinted "This Little Light".  I wish I had each and everyone’s name to list because they are all worthy of mention. If you missed it, I do feel that you missed something very special.  A husband and wife team, Barb & Randy Weatherly came all the way from Bartlesville OKLAHOMA. The couple are ardent JAZZophiles and loved the afternoon. They listen to live JAZZ, back home whenever they can. It equates to once a month at a place called "Copper" in their hometown. It was great having them there to enjoy this wonderful afternoon of JAZZ at the Gables. Yes the hands and feet were in motion all afternoon.
 
We are going to take a moment to say a few words about JAZZophiles. I know some who are as young as 9 and some who are as old as 90.  Some of those 90 or better are well known around town because they are out and about. There is Annapora (the shimmy girl) who is at every Wednesdays Jazz in the Gables concert. Kay who was clapping ,tapping and bobbing her head at St. Johns on the Lake when Ed Calle and Chuck Bergeron were there. On to Babette. This lady has a permanently reserved seat at Blue Jeans Blues.  Finally my good pal Tommy--out every night seeking the best around. JAZZ itself is not conscious of the age, sex, faith, nationality or race of its devotees. It's only desire is to have you listen.

Sunday night the "blues" were still in town, visiting at BJBs. Rita Wilbern (vocalist) with Jeff Prine (guitar) Lloyd Tucker (drums) and Mitch Goldstein on a brand spanking new Hammond SK2. Rita can make an audience chuckle or weep with her soulful renditions. That new SK2 has as rich a tone as the well renowned Hammond B3. I know that BJBs appears often in what and where I write about. Part of the reason is that there is live JAZZ, 7 nights a week. There are even some late afternoon (happy hour) presentations a Sunday JAZZ brunch and evening Jam Session. Sometimes, on a really busy night, when the joint is jam packed with folks having a good time, you might see Mike, the bar back, carrying a case of loose wine bottles, that’s right 12 bottles, in his arms. I believe this to be a remarkable feat. If you are going to attempt replicating this task, I strongly suggest a cheap wine and soft surface to practice on. We are heading up to Palm Beach Monday and Tuesday to visit with our grandchildren. We will search out the music once our little darlings are abed. With our toes tappin' and hands clappin' we hope to see you Wednesday afternoon at JAZZ in the Gables.		 February 19, 2012
 
February 18, 2012 Friday night, Flo and I had a quiet dinner with some friends and then------off to Blue Jeans Blues to catch Jesse Jones Jr.. BJB's has become the leader in presenting live JAZZ in Broward County. Friday night was the proof. The band with Jesse had Danny Burger (drums) Dolph Castellano (piano)"Be-Bob" Grabowski (bass). All of whom, including Jesse are MJC founders. Jesse has just returned from a tour in Russia and during one of the breaks we had a chance to talk. The conversation covered many subjects including audience attentiveness and Jesse's prowess in scat vocalizing. He told me that Lambert, Hendrix and Ross was his early influence in that area. He is as entertaining a conversationalist as he is a performer. More and more venues presenting live JAZZ are showing up in South Florida. They all deserve our support. Flo and I will attempt to get to them all, and, we will if it's up to her.

Saturday was Mardi Gras in Hollywood and the city presented live bands at Arts Circle. Flo and I opted for a club, Big Easy. The band at this celebration was the fabled "Iko-Iko". If you like "BLUES", old school and new, you will certainly enjoy listening to them. Nicole Yarling, an MJC founder as well, came in for the third set. I am sad to say that the "ubiquitous couple" were pooped and therefor missed the opportunity to hear her. I promise next time, Nicole.
 
Did someone say Wednesday? It can not be, but it is. There were so many JAZZ choices to make I thought I was either in the Big Apple or the Big Easy. Rhythm and sound everywhere. And almost all day too. JAZZ in the Gables started promptly at 12:15 p.m.
Rick (Katz) introduced the band fronted by Paul Green (clarinet) with Mike (the dream) Levine(keys) Carlomagnifico Araya (drums) and the young, talented Kai Sanchez (bass). Paul and the band played the afternoon away with "klezmer" tainted rhythms and harmonics. The klezmer songbook is filled with "freilachs" (fray-lox). The word in singular translates to mean joyous- light hearted-happy. The audience was definitely put in the right frame of mind. Paul did his interpretation of "Funny Valentine" using the harmonics of traditional Yiddish music. He followed with "Anthropology" which is based on the chords of "I've Got Rhythym". We also heard a little of "Jumpin' with Symphony Sid" in there somewhere. Wednesday night had Troy Roberts and Gary Keller, both founders of MJC, at the Van Dyke, Joe Donato, also a founder, at Blue Jeans Blues and Maria Rivas at Michelle’s. "eeny-meeny-miney-moe" Talk about Moe. We opted for Michelle's and Maria. Maria had Jaui Schneider on piano and provided an easy listening evening. Michelle’s is a really nice room on Oakland Park, has happy hour prices on drinks and appetizers. They have had live music on Wednesday eves for a while and now are starting a Sunday JAZZ brunch. We have not seen the line-up yet so those interested have to do their own research. If it's live JAZZ we heartily encourage them.

Thursday just seemed like great night to listen to the BLUES. Albert Castiglia (guitar & vocals) alongside Graham Wood Drout (bass & vocals) were at thr Big Easy on Hollywood Blvd. which saved us some fuel input. Albert and Graham both have bands of their own but seem to really enjoy playing with each other. Lots of people we know were there including Charlie Boyer (Jazz& Blues Florida)  and Piano Bob (boogie-woogie pianist). Plenty of hands clappin' and toes tappin'. We filled up on JAMbalaya and adult beverages and while we both could still function we ambled down and across the street to a new (not really open yet) joint. This establishment has a short story length name: "Floida Native Tap Room & Music Hall". It is musician owned and operated. We did not get the name of the BLUEs quartet who performed, but it was "down home" "crossroads" BLUES all the rest of the night. Another dollar and dream story which we sincerely hope comes true. GOOD LUCK!!		 February 16, 2012
 
February 12, 2012 Friday had us packing for the one day overnight stay and road trip to Wellington for their Inaugural Jazz Festival. A Friday night and all day Saturday event. The last time I was at an area designated "The Polo Grounds" was when the New York Giants (both baseball & football) played at that Harlem stadium back in 1946 or '47. For a "first time out", the event was well organized and staged. The sound system was great. Freelance Productions provided the service. Friday night, our very own, Nicole Henry was featured. Mike Levine (keys)  Dave Chiverton (drums) James McCoy (bass) and Tom McCormick (tenor&flute). Nicole delivered as usual and again had her fans on their feet with her rendition of Bill Withers tune "Use Me Up". We were up early on Saturday, had a great breakfast and were rewarded by listening to a band called "Urban Gypsy". The septet is fronted by John Michalak (sax&flute) Mike Rivero (drums) Brad Miller (bass) Alan Palanker (keys)Nathan Skinner (vibes) Islay Rodriguez (guitar) and Gus Alberto--the only way to describe him is"percussionero". Their JAZZ is "urban"--"fusion--"flamenco"--and something you should get out and listen to. Our day out ended with us enjoying Sammy Figueroa with Silvano Monasterios. The previously mentioned John Michalak also took a turn with Sammy and the band.
We drove home talking about all the great live JAZZ we are still able to enjoy on an almost daily basis. Now the sun rises on Sunday. A little breezy and definitely chilly.  We have planned an afternoon at St. Johns on the Lake. Nestor Zurita heads up the JAZZ portion of their Arts program. This weeks guests included Ivan Zervignon (drums) and MJC Founders Dr.Ed Calle (tenor,Flute) and Chuck Bergeron (bass). The quartet did a session of Nestor's original compositions. The weather Sunday was comparatively cool but the JAZZ was hot, to say the least. So hot that Ed was totally "farschvitzed" when they were done. I don't know how politically correct it is to use a "Yiddish" word to describe a condition in a Methodist house of worship but "sweaty" didn't seem to work. Flo and I took a holiday from music on Monday----hold it!!! We did watch the Grammys on tape.  Toes tappin' on the downbeat, hands clappin' on the upbeat.
 
When you get to be my age (very old) your life experiences have taught you to grab every opportunity for pleasure that is available to you. Flo's philosophy of "Life is not a dress rehearsal" identifies the fact that you only get one shot at it. Soooooo, after having enjoyed last Wednesday’s wonderful day of live JAZZ which included the concert of JAZZ in the Gables and a visit to Upstairs at the Van Dyke, Thursday, Flo and I spent a relaxed evening listening to Maria Rivas at Kitchen 305 at the Newport Hotel in Sunny Isles. Maria added latin percussion to the rhythm section of Jaui Schneider (keys) and a surprise visit by Dr. Jaimie Ousley (bass). February 9, 2012
 

 
February 8, 2012
Gloomy was the word used to describe Wednesday afternoon. No sun. Cloud filled sky. Threatened rain. That was not the way I would define "Jazz in the Gables". A dedicated group of JAZZophiles gathered to listen to live JAZZ. They got their "just desserts". They listened to the Mike (the dream) Levine quartet. Mike on keys, his son Sam on drums, Lindsey Blair on guitar and Rafael Valencia playing bass. The guest vocalist was LeNard Rutledge. They did "swing", to the point that a 100 year old women (true story) got up out of her wheel chair and started to do the "shimmy" She loved it and all of us loved it. This young lady is a regular, there every Wednesday, as you should be to enjoy the music. Seeing her dance made the clouds disappear and the sun shine. Some of the audience were from as far away as California and now they know why the "Fountain of Youth" might be found in the "Gables".  Join us every Wednesday 12:15 'til 2.  
 
It's been too long since Flo and I have visited the Upstairs at VanDyke. We should come more often. It seems they always present the finest JAZZ that South Florida has to offer. This night we observed, amongst the packed house, that a majority of the audience were younger (35 & UNDER) people. It encourages the thought that JAZZ is alive and well in the country of its birth. The fact that Nicole Henry was appearing didn't hurt the gate either. Wednesday has become the night of many choices for JAZZ fans in our area. Get out and enjoy the many talented musicians who are appearing locally. You will not be disappointed by any of them. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
         
   
One of the musicians that has always made me happy is known as Johnny O. He plays tenor, congas and does Joe Cocker like vocals. On Jan. 29, someone stole his sax (Christine). It is a 1950's Selmer Mark VI, custom-made with a silver neck, decorated with black lacquer bell and signed by the late Clarence Clemons. Like every musician knows, some instruments are treasured as family members. That is how Johnny feels about his "Christine". If anyone approaches you, or if you have any information about this horn contact Johnny at 954-589-5697 or e mail johnnyo627@yahoo.com . There is a reward offered but don't let that be your motivation. JohnnyO has always made us tap our toes and clap our hands---help if you can!!!

February 6, 2012
 
February 3, 2012 Our card says "We Love Music". We truly do! Lately we have had the opportunity to enjoy live JAZZ during daylight hours and it works. Friday, at 1:00 in the afternoon, Wendy Pederson broadcast "live" from the studios at WLRN. Ed Bell hosted the event, sponsored by Pollo Tropical. The accompanying musicians consisted of superstars, Jim Gasior (piano), Jamie Ousley (bass), and Carlomagno Araya (drums). Pardon the alliteration--- "Wotta Band". Wendy sang a beautiful song which she and Jim Gasior had collaborated on. It was titled "I Love You More". It will be on her upcoming CD. Whether you get to hear Wendy sing it "live" or on record, the lyric and melody will touch you. There is a lot going on daytime. Do your research. Miami Jazz Co-op, Miami U, FIU, Frost, School for the Performing Arts, and others all present JAZZ programs around noon. Don't walk around, dazed, earphones stuck in your ears, get a life and listen "LIVE".  Check out Wellington Jazz Festival Fri 2/10 and Sat. 2/11. Flo and I will be there, toes tappin', hands clappin' and loving the music.
 
Wednesday was the time to get out and catch an afternoon/night double header (nooner/nighter). The afternoon, 12:15, was at the MJC sponsored concert held at the Coral Gables Museum every Wednesday. This day we were treated to a very special performance from a gal we hope to hear more of, Juanita-Marie Franklin. Juanita-Marie did a program of the standards all JAZZophiles have come to love. She was backed by a rhythm section with Jaui Schneider (keys), Don Coffman (bass), Lenny Steinberg (drums). Their solo sections delighted a substantial crowd of listeners. A local restaurant, "Capricho" which has a location on Giralda St. (around the corner from the site) caters a moderately priced, delicious lunch. The MJC offers people submitting email addresses the opportunity to win prizes which are awarded at the close of each concert.  Make the time and effort to attend this really enjoyable, early afternoon event.

When Flo is around, do not make any attempt at "hanging at home" especially if there is JAZZ within reasonable traveling distance. i:e 70 miles, more or less. Pax provides an easy to get to location.  Free parking, moderately priced drinks, and best of all great JAZZ on Wednesday nights. Tonight a group called "Red Rocket" was the listed band. Hold on to your "stingy brim" hats. Chad Bernstein (trombone&conch), Troy Roberts (tenor sax), Dave Siegel (keys), Eric England (bass), Tim Jago (guitar), Andy Fisenden (drums), and I must mention the sound tech, Hector Ascencio, who does a great, but sometimes thankless job, of balancing volume and tone. Andy and Tim, I believe are fellow countrymen of Troy Roberts who is from "down under". This is one of those Jam Bands that grooves, rocks and gives each of its members the opportunity to spotlight his talent. The atmosphere is friendly and easy. I spied Charlie Boyer (Florida Jazz & Blues) in the audience and during the break had the opportunity to chat about days gone by. Talk about JAZZ history!!! Truth be told, the young talent that can be heard in S. Florida nowadays sometimes dims the memory of past JAZZ idols. JAZZ is an constantly evolving art form. It grows in an ever widening circle of sound and rhythm. Don't stop listening to the history but don't miss the present and the future. Keep your toes tappin', hands clappin' get out and support live JAZZ. It is the key to the Fountain of Youth (I know).
         

February 1, 2012
 
January 25, 2012 It's Wednesday and Flo is returning from a short stint "on the job" in N.Y. My listening agenda will now be realigned with the stars and I won't have to answer the constant query, "Where's Flo?". Wednesdays creates an instant quandary and also reflects the growth of JAZZ here in the southland. Where to go? Where to go? Jesse Jones Jr. is at Blue Jeans Blues with Danny Burger, Turk Mauro is at Top of the Bridge in Boca and Kenny Burkhart is appearing with a group we never heard of, "Adrenaline Jazz", at PAX in Miami. The idea of listening to new "to us" groups has always been our way to go. It turned out to be a great choice. How about a trombonist, Chad Bernstein, who "triples" on shofar (rams horn) and conch shell. It's taken 5712 years for the Old Testament to catch up with the New JAZZ. The band is led by Reuben Hoch (drums) John Michalak (bari, tenor & soprano) the aforementioned Chad Bernstein, Tom Lippincott(8 string guitar) and Kenny (historic B3). The group did Beatles, Neil Young, some soul and some funk, all of it JAZZ. They call themselves a JAZZ/JAM band. I would call it "Groove Jazz". They not only had toes tappin' and hands clappin' they had heads bobbin' as well. Each of the members solos were impressive. We strongly recommend getting out to hear them at the next opportunity. We were fascinated by the conch shell and I remembered hearing them played before. Long ago, by a musician in N.Y. with some long forgotten Afro-Cuban group. Will have to do some research. Roxanne, one of the partners, stopped and chatted with us. She reiterated her dedication to presenting JAZZ at the PAX. This night there was no admission or cover. There were beer and drink specials. Check out their website for future JAZZ presentations. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
When people talk about "Woodstock" they say "If you were there you don't remember it." Well if you were at the MJC Rent Party Monday night you are going to remember it for a long time. To quote almost everybody who was there, "The best nite of South Florida JAZZ ever." Musicians and JAZZophiles crowded the venue. The attendees paid rapt attention (no conversation) and were rewarded with outstanding performances. The featured artist was Jamie Ousley accompanied by David Chiverton on drums and Gabriel Saientz on keys. They did a couple of songs from Jamie's recently released album "Sea of Voices". Then Jamie asked Troy Roberts (saxophone) to join them. Troy also sat in on the first set with Joe Donato & Gary Keller (saxophones) Jack Segal (trumpet) Rudolfo Zuniga (drums) Matt Bonelli (bass). The rendition of the numbers from Jamie's album had the audience held in absolute silence 'til the closing note and then applause came showering down. It seems like every Jazz artist that I ever met in FL. was there and anxious to sit in on the third set. One of the songs on Jamie's album is "Alfonsina y el Mar" and they played it during their set. During the final "jam" set, Maria Rivas came to the stage and asked Jamie if they would back her vocal rendition of that same song. Maria first told the real life story of the Alfonsina in the song. Her emotional performance did credit to the composers, Ariel Ramirez & Felix Luna and Jamie's arrangement. Tom McCormick (sax) added pretty background riffs. Gabriel Saientz piano accompaniment added to the soulful beauty of the song. It is not our policy to endorse particular artists but I personally believe that you will be missing out on a lot of excellent music if you don't get a copy of Jamie's CD.(It also contributes to an environmental effort.) I would be remiss if I didn't mention David Fernandez's solos during the jam. They had me leaning forward and closing my eyes to concentrate on his elongated phrases. What a treat it was to hear David and Troy on the same night. Mel Dancy (next month's featured artist and honoree) graced us with a soulful performance. Lisanne Lyons can "swing" and she DID with Jim Gasior at the keyboard!!!! Who else was there---- "everybody". I don't take notes and have a terrible memory (typical of guys my age) so that is why there is no listing. Additionally, if I left anybody out I am sure to hear about it in the usual colorful terms and sometimes from the stage. Discretion being the better part of valour I will close with ---- Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat and don't miss the next Rent Party, February 27.

January 24, 2012
 
January 22, 2012 If you make wagers on horses you know how you feel when you pick a trifecta. If you're a hockey fan you know what a hat trick is. Basketball fans thrill when their team drains a 3. Not many baseball fans have seen a triple play. Well I was lucky enough to capture those things this weekend. Best of all it was music. Friday night, the Larry Harlow concert (salsa). Saturday, straight ahead JAZZ with Don Wilner, Mike Orta and Dana Paul. Sunday, almost putting football aside it was the Blues. If you're not into blues, the artist I heard today would make you an instant devotee. His name is Nicco Wayne Toussaint. He is a native of France but plays harp (harmonica) and sings like he was born in the Delta. Nicco has studied all the old times blues men and brings his virtuosity into play while staying true to the tradition. Sunday's performance was at Fish Tales on "toity toid" which, as I have mentioned before, is Ft. Lauderdale's 52nd St or Bourbon St. The street has restaurants and, best of all, at least 4 "joints" (I don't know if I should call the 33rd St. Wine Bar a joint) have live music. Let's support all venues that feature musicians that breathe and have heart beats to accompany the drums. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat - singing along with the blues.
 
Pok--pok/pok---pok/pok--Pok--pok/pok---pok/pok. Shave--Haircut---Shampoo--Shave--Haircut---Shampoo. The sound of the claves in my teen years. The mambo, the Palladium, Cachao---strong memories enhanced by last night's performance at the Arsht Center.
Larry Harlow and a full 40 piece orchestra including violins, violas and cellos had the mamboniks dancing in their seats and eventually dancing in the aisles. They opened with "Manteca" and moved on to perform Sr. Harlow's suite "La Raza Latina". This piece encompassed every modern Latin rhythm. Bolero, Tango, Rumba, Mambo, Salsa and some that are new to me but not to dance enthusiasts. A segment featured "Candido" who recently celebrated his 90th birthday. This renowned "congolero" displayed his wonderful talent for his instrument and a charming, warm personality. The audience responded with a long lasting standing ovation. The string section was alive and dancing in their seats along with the audience. Percussion included drums, congas, timbales, claves, castanets and many whose names I don't know. My attendance at a clinic held by Sammy Figueroa last week helped me in enjoying them more intensely. There were instrumental and vocal solos by several well known Latin and JAZZ artists.
Larry Harlow grew up in a Jewish household in Brooklyn. He attended and graduated from the High School for Music and Art in Manhattan.
His love of the rhythm of the Caribbean had him continue his musical education in Cuba and Puerto Rico.
The encore went on for 25 to 30 minutes, with the violinists coming down into the audience and encouraging people to get up and shake their ----s. Flo is in "The Apple" sooooo---. All I can hope is that my little "dance in the aisle" is not on "YouTube". Shoulder shakin' hips rotatin' "VAYA".  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

January 20, 2012
 
January 18, 2012 Yeah, yeah. It's Wednesday and it's your day off. Pack a towel, maybe a sand chair, the cooler with a beverage or two and head to the beach.

BORING!!!!!!! That's right, boring. Wednesday early afternoon is filled with JAZZ and exciting JAZZ at that. It all happens at the new Coral Gables Museum when the MJC presents its JAZZ IN THE GABLES program. This week 1/18 Nicole Henry was featured. The rhythm section was not "chopped liver" either.
James McCoy on bass, David Chiverton on drums & Chris Cadenheadon piano. As often as I've listened to Nicole whether at a club or Lincoln Center, it amazes me and others at how she seems to get better and better each and every time.

There are plenty of chairs and umbrellas for shade and every week a local restaurant is featured serving a moderately priced lunch "al fresco". Absolutely a great way to lose those mid-week blues. This coming Wednesday "Sound of Vision" will be there and so will I. Go to www.miamijazz.org for details. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
Feeling better. Cold is almost gone and Ira Sullivan is in Broward county. Flo and I head to BJBs to catch a set or two or three.
Ira has only four instruments (not counting rhythm) with him. His tenor, trumpet, flugelhorn and flute--whoa--make that five. That moldy-oldy soprano sax with fantastic tone. The lady and I are in kind of a mellow mood and wax romantic about how the N.Y. feel has become part of the JAZZ scene here in S. FL. The other day I mentioned "toity toid" becoming like the old 52 St  back, way back in the day.  Flo kept talking about those days in our early twenties with Bop City and Basin Street East and Jimmy Ryans annd Smalls Paradise and the Village Gate. That made me think about my teens and the 52d St. that I knew. Where I first heard the Bird and Diz and a piano player by the name of George Wallingford and later George Shearing and Lennie Tristano and many more who embedded in me the love of the music. I remembered being 15 years old (I had a moustache and the attitude to go with it) bellying up to the bar and ordering a Tom Collins. 75 cents. Then holding the glass by the bottom so no one would notice it was already drained. Then I remembered other joints I had heard of then. The Bee Hive on Chicago's South Side, Bimbo's 365 in San Francisco (the bar had a gal in a fishbowl), Roxy's Tic-Toc in Oakland (that was a joint when joints were not fashionable). Ira made the memories even clearer with a short tale. In one of the places Ira played as a young man (he calls them charcoal joints because of the lighting) a fan asked him what sign he was born under. Ira hesitated for a moment and responded "Exit" because most of his career involved being on a stage and facing the only light in the room. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

January 13, 2012

 
January 9, 2012
Being almost completely sated with football (Denver/Pittsburgh) still to go, the coach and I venture forth on Sunday nite to catch some blues.
Figuring that since Sunday was Riverwalk Brunch day they would have someone special at "Bourbon on 2d" . Instead we found a locked door with signs stating UNDER NEW MANAGEMENT. A smaller note let folks know that the Sunday Blues Showcase would now be performed at Fishtales on "Toity toid"
Let me digress for a line or two. 33d Street in Fort Lauderdale is slowly becoming the 52 St. I knew growing up in N.Y. It's just a short block running east from A1A and two blocks north of Oakland Park Blvd. It starts with the "Dive Bar". Basically hard rock, this "joint" has been there since before Coca-Cola. Across the street is Fishtales, a locals blues haunt where all the really good bluesmen gather to play. A little further down on the same side is the 33 St. Wine Bar. Sophisticated, cool, every wine known to man and live music, jazz oriented. Across from the Wine Bar is Blue Jeans Blues. Music 7 nites a week. JAZZ-JAZZ-JAZZ.
To get back to the evenings tale. We head for Fishtales. It's Albert Castiglia with Kilmo on bass guitar, John Yarling on the skins and Jeff Watkins blowing a tenor and knocking everybody out. We stayed through the second set and watched Tebow throw the pass to win the game on the first play from scrimmage in the overtime. I spoke with Kathy and thanked her for welcoming this great blues program to her place for these early Sunday (4 to 8) sessions. A personable gal, who loves her music said she was happy to do it. We said goodnight to Albert promising to sit down one day for a discussion of blues history and its relation to the JAZZ of today.
Being the gentleman my mother raised me to be I helped Flo cross the street to BJBs. The featured artist was Andrea Wood. The name was unfamiliar but a listen on her website sounded interesting. Before her taking the stage, her trio did an opening number. Twin brothers Nobel and Nate Jollie on piano and drums respectively and young Blake Meister on bass. Tracy Fields (WLRN) walked in just in time to catch it as well. All I could say was "WOW". Boppish, modern, cool and exciting. "WOW". Ms. Wood made her presence known with great interpretations of all kinds of songs most would not even dare to attempt. Andrea is a student at The Manhattan School. She appeared at the VanDyke earlier this week and at Blue Jeans both Saturday and Sunday. This nite was her last in FL. I hope we can get her back soon.
Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
 
The coach (Flo) does not miss much football or-- music or-- life. This week it's football. Last games of the pro-season and first games of the BCS college series. This meant afternoons and evenings at Duffy's watching 3 or 4 games at a time and indulging ourselves with hearty portions of food and flavorful beverages. So I have no music to report on From Saturday thru Monday. Tuesday we made it back to BJBs on" toity toid" to catch Maria Rivas. The usual suspects were all in attendance to listen and enjoy Ms. Rivas' presentations of American and Sur American hits. It was extra special because she was accompanied by Mike Orta on piano and Don Wilner on bass. This duo have known and played with each other for a good many years. They are true JAZZ artists. Maria has a style of her own and her scat solos are tonally and rhythmically unique.
I had a chance to chat with her for a moment. She told me that her influence in that area comes from the native music of the interior of her country, Venezuela. Among those in attendance was Dr. Jules Oaklander and the lovely Maria, Leana and Ken Bresnahan, Yale Estrin and Stan Jackson. When Maria did "Route 66" she allowed Stan to do about 12 bars of scat with her. He was 1/4 tone flat but he had the chord changes down and got a nice round of applause.   I will not report my activities for Wednesday nite and Thursday as it involves medical terminology which I would rather not remember.  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

January 6, 2012
 
 
December 30, 2012 Tony Madruga, South Floridas outstanding JAZZ piano prodigy is appearing with Turk at BJBs. Flo and I are proud to know this young man. He is extremely talented. Still in his teens, he has played at many prestigious events in the last year. We were fortunate enough to be in NY when he celebrated his 16th birthday with a featured appearance at Dizzys Club Coca Cola. BJBs was packed with Tony's fans and his solos brought enthusiastic applause. Believe me when I tell you that it was a tough to choose between Ira Sullivan at MOCA and Tony Madruga at BJB. Flo and I believe that we all should support live JAZZ wherever and whenever. The new, the old, the blues, post-bop, tough choices when you love it all.  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
Troy Roberts at PAX. PAX=Performing Arts Exchange. This one has only been open 8 months and is another "dollar and a dream" story. Love of the arts always seems to motivate some people to go out on a limb. Roxanne (in the art and antique business) and Danny (film industry) are both fairly young but very adventurous with this endeavor. On SW 8th St. (RIGHT UNDER THE 95) it is easy to reach. Tables, chairs, setees, full bar, tapas plate and what I felt was a superior sound system. Troy had Silvano Monasterios, Dave Chiverton (just back from a road trip to Japan with Nicole Henry) on drums, a left handed guitarist (sorry missed the name) and Eric England doing a great job on Electric Bass. Jim Gasior, his lovely wife and a group of students came out to listen to Troy. They really seemed to enjoy him and the bands renditions of Troy's intricate compositions. He really is talented and if you dig creative modern JAZZ you will find his stuff absolutely satisfying. Roxanne and Danny are dedicated to the music and performing arts in general. They hope to continue a Wednesday night program presenting JAZZ artists. Latin dance and JAZZ bands Friday and Saturday nights help finance the JAZZ events.  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

December 28, 2011
 
December 26, 2011 Satchmo's on Commercial. Howard is doing his darndest to promote live JAZZ and blues. The 2d and 4th Monday of every month is Big Band night. They feature the Jerry Fischer band with Lisette Lyons on vocals. The club itself is comfortable with ample bar and table seating. Great sound system and efficient, friendly staff. Stu Grant (880AM on Sunday morning) is the host and encourages all to come on upstairs to enjoy this great band while giving management a good reason to continue in its efforts.  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
Hadn't caught Turk, Danny, Nicky and Dolf in a while so we rode up to BJBs on "Toity Toid" in Fort Lauderdale. Saw a lot of our JAZZophile friends and in general had a really good time. Good sound system, friendly staff and they'll make any drink you can think of. Do you remember a "Moscow Mule"--Vodka, ginger beer and a sprig of mint in a copper mug. Oh Yeah!!!!  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

December 23, 2011
 
   
December 22, 2011 Opened all those wonderful cards from our friends and it was great. One of Flo's friends(and now mine) Selma, sent a book as a gift. If you love JAZZ the way we do, you must get a copy or find one to peruse. It is titled "Legends of Jazz". The preface is by Joe Lovano and the text by Bill Milkowski. Incredible photgraphs and quotes, from the past to the present. It is a treasure.  Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

 
 
Okay hep cats, hipsters and music lovers. Some historic facts. December 21 is the shortest day of the year. It is also the day that the Pilgrims landed in 1620. In addition it is MY birthday. Furthermore it is the cusp (if you believe in astrology) of Sagittarius and Capricorn. All of this makes me come to the conclusion that it doesn't mean much to the world overall. Flo let me know that we would be spending the evening with Deborah and Duane Crisp, friends of ours, who are also avid JAZZophiles. Maria Rivas would be at The Top of the Bridge in Boca and that was the plan. I walked into a room full of JAZZ fans we both know. It took me several seconds to realize that they were all there to help me celebrate my 80th. Old friends and new.

A wonderful surprise that reaffirmed that I am "The Luckiest Man in The World" because of that absolutely incredible "Wonder Woman" at my side. Wait a sec. Coincidence or what. It was Marias birthday as well. Wait another sec. Carlomongo Araya was on drums and it was his birthday too. Out for the evening with his family was Dr. Jules Oaklander, a true "patron of the arts, who recently had a birthday as well.We all DID celebrate.

Joe Mirrione who presents Jazz,Bossa and Blues on Wednesdays at Top of the Bridge is another "Dollar and a Dream stories. His love of music encouraged him to get involved in this venture. Successful in his own business he decided, along with some community members, to bring Jazz, Bossa And Blues to Boca Raton. Taking an awful lot more than the fabled dollar and a lot more "chutzpah" (In Italian it is Cu-----ns) Joe did it. He provides great talents in a beautiful room. Plenty of room, nice appetizer menu and a dance floor tha provides enough space for you to do your Gene Kelly steps.Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

 

December 21, 2012

 
December 10, 2011 Friday morning and I flick thru the pages of Weekend in the Miami Herald. Page 20 and the words JAZZ ROOTS jump out at me – "DOWN IN NEW ORLEANS" - with a full color picture of Irvin Mayfield. I drag my substantial tail down to the box office and nab a single for the uppermost tier. 55 smackers.

Being somewhat of a traditionalist (translation=old) going to a concert hall I don a blazer and a button down collared shirt and venture forth. Traditional New Orleans JAZZ is easy, like the city itself. Smooth sounds, hypnotic repeated rhythm and melodic solos. Basically a "nice" listening experience. Irvin Mayfield is a protégé of Wynton Marsalis and a purist. Pure joy. The New Orleans Jazz Orchestra, a 16 piece band consisting of 4 trumpets, 3 trombones, 5 saxes, piano, BANJO, piano, bass and drums filled the hall with happy sounds. I particularly enjoyed a number featuring clarinetist Evan Christopher. It started with his soloing to a very sexy tango rhythm, transforming to a New Orleans march and ending with klezmer like cadenzas. I was impressed. The featured guests were Marcia Ball (piano/vocals) and Kermit Ruffins (trumpet/vocals). Flo and I are long time fans of Marcia Ball having heard her with small groups at several Blues and Jazz fests here in South Florida. Kermit Ruffins offerings both instrumentally and vocally showed the tremendous influence both Louis Armstrong and Louis Prima have on the musicians of today. His trumpet solos were full of flavor and his vocals full of fun.

It's now 10:30PM and any self respecting octogenarian should be in bed. Instead I head over to a nearby jazz/blues club to satisfy my funk "jones" and enjoy an adult beverage---or two. Flo returns on Thursday so the social/JAZZ calendar will be reactivated. My 80th birthday happens on Wednesday, 12/21. Flo and I will celebrate at the Top of the Bridge in Boca Raton. Maria Rivas will be the featured artist on that night. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
JAZZ lovers in South Florida have to really dig "firsts" and "lasts". Here's why. The first Friday of the month, Gold Coast Jazz presents "First Friday Jams" at ART SERVE located in the library on Sunrise Blvd. It features middle and high school students who are interested in making JAZZ their future. Hosted by Nicole Yarling, the youngsters are also guided through the experience by her. I have been attending for the last 4 years and have been rewarded by hearing some amazing performances by future JAZZ stars. This past Friday night included a young man jamming some be-bop riffs on a "Steel Pan". I have listened to him (I believe he is now 11) for the past three years and it's wonderful to hear the progress, as a musician, he has made. You should make this an event a must on your calendar. Also, the first Sunday of every month is the "Riverwalk Sunday Jazz Brunch" in Fort Lauderdale. There are presentations on three separate stages so you're sure to find the "sounds" you enjoy. Bring chairs, umbrellas, wine, shrimp cocktail, pico de gallo, guacamole, chips, and your cel phone so that you can call me as to your location. there are food and beverage vendors if you're just plain lazy on Sunday.


The last Monday of the month (this month will be on the 19th) is the Miami JAZZ Co-op "Rent Party". Three hours of great JAZZ. Guys and gals are always dropping by with their "axes" in hand and ready to blow for your listening pleasure. December’s Rent Party will most likely be the last presented at The Stage. Come on down, bring your friends and acquaintances and make it a holiday party!!!!


On Sunday, I headed south to the Universal Unitarian Congregation in South Miami. Dr. Jamie Ousley along with Jim Gasior on piano and Carlomagno Araya on drums were doing a concert for the benefit of Sunshine State Interfaith Power and Light. Their mission is to save the Earth for the generations to come. A star-studded guest list included performances by Ira Sullivan, Wendy Pederson, Troy Roberts, Julie Silvera, Maria Rivas, Valeria Proana, Samm Mapp, Paul Green and Sandy Poltarack. A most wonderful early evening of great JAZZ. In many ways it was a revelation to me. As a JAZZophile I have always admired the musicians for their dedication to the art. Long hours of study and practice that do not generally bring financial reward. This benefit revealed to me that musicians like Dr. Ousley and his guests are also regular citizens of the community in which we live and contribute in many ways to the well being of us all. So I rise, as we all should, and applaud not only the music, but for their help in supporting important community causes.

Then, I heading back north to Broward and BJBs. Valeria Proana (who also sang at the benefit) was on the bill and she impressed an enlivened audience. The clock struck midnight and I decided that it might be time to go home.

Tuesday--Oil change on the calendar, I am up and out at 7:30 AM. That's right. 7:30AM. Drop the car and am in desperate need of comidas and cafe. I head for an adjacent Mickey D's for a carbohydrate boost and caffeine fix. I push through the door and am greeted with aural pleasure. Can it be? Am I hearing this right? McCoy Tyner, the MJQ, coming through the speakers. Uh-Oh. Dizzy at the Micks? Must be something that I drank last nite. Well, listen up. It's a fact. NCB Inc. is a McDonald franchisee and plays JAZZ on its sound system at all 18 of their locations in Broward County. JAZZ fans, let's give them a hand. Go to their website for a location near you when you want a little JAZZ with your Coke and fries.

Congratulations to a great star. On December 4, President Obama conferred the Kennedy Award on our revered senior genius saxophonist, Mr. Sonny Rollins. Well Deserved. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

 

December 6, 2011
 
November 24, 2011 It's Wednesday. Flo and I are still doin' NY. Flo had to work today and tomorrow we're off to an early start for Thanksgiving with the "familia", our kids, grandkids, and assorted relatives and friends. We needed someplace convenient with a fairly early first set time. Search the internet and find that SMOKE (we were there last nite) has a dinner set at 7 which is early for the "Apple". The featured band was vocalist Eve Cornelious backed by Mosaic with Jeremy Pelt (trumpet) Clark Gayton (trombone) Anthony Wonsey (piano) Andrew Klein (bass) and Rodney Green (drums)

Ms. Cornelious did a very slow tempo version of "Rainy Day" with only the piano accompanying. It was beautiful. We enjoyed our evening and on the drive home we both talked about the warmth and excitement of Clark Gayton on trombone. Toes tappin, hands clappin, headin' back home Saturday. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
Doin' the "Apple" in nothin' flat and 4/4 time. Yes, Flo and I are back in our native environment and are as restless as if we were still in the place we love ,South Florida. One of our favorite haunts is a club named "SMOKE". The club is small and reminds me of the San Francisco joints that dotted that town back in the day. Red brick walls, a tinted picture of Salvador Dali and seats so close together that if you reach for a handkerchief you might be charged with sexual assault. Their sound system is perfect for JAZZ and at the start of each set the host asks all the listeners to turn off communication devices and to PLEASE HOLD CONVERSATION TO A MINIMUM while the musicians perform. I have found that New Yorkers, out for an evening of listening to JAZZ are generally quieter. It might be because the cost of listening in The Apple is a lot more expensive than in most of our JAZZ clubs.

Wednesday at SMOKE is "Organ Nite". We were joined by our Florida pal, Yale, who is an avid JAZZophile and can rattle off the names of musicians, especially be-boppers, who are performing in Florida, New York, Chicago etc. etc. etc. If you are a be-bop oriented JAZZ musician and Yale doesn't know your name, I respectfully submit you might need a lot more practice time. The band was the Mike LeDonne (B3 organ) Quartet. Eric Alexander on tenor, Peter Bernstein on guitar and Jason Brown doing an exceptional job on drums. We stayed for 2 sets and were rewarded with some great interpretations of standards, originals and even an instrumental version of the blues tune "I Want A Big Fat Mama". Eric is an Ira Sullivan devotee and promised he would try to visit and jam with Ira in the near future. SMOKE does serve food and there is a per set minimum. Those of us who live and listen in South Florida have to thank our "lucky stars" that we get to hear talented musicians, both young and old at very minimal cost. Get out, spend a few bucks and support live JAZZ wherever you happen to be. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

November 23, 2011
 
November 18, 2011 Monday was the day, JAZZ grew up in south Florida. I really should say got BIG. I mean BIG BANDS. Two great bands delivering outstanding performances on the same nite at different venues. The Jaco Pastorius band just before boarding a plane for Japan played at the Sunrise Civic Center. Stu Grant presented the Jerry Fischer Big Band at Satchmo's on Commercial Blvd. 11/15/11 will be remembered forever as the night the Big Bands blew in Broward. Unfortunately for me, I am contained in only one body and therefor could only be in one place at a time. Flo and I, chose the club site as opposed to the theater setting. What a great night and what a great band. How about a set that included an updated chart of Glenn Millers "Moonlight Serenade" followed by Thelonius Monks' composition "'Round Midnight".

Think you heard enough? Not yet! Lisette Lyons coming to the bandstand doing her rendition of Chet Bakers "What's New" followed by a tune made famous by Joe Williams "Every Day". Chris La Barbera did a "special guest" shot on trumpet. 5 saxes, 3 trombones, 4 trumpets, piano, bass and the leader on drums. It is now Wednesday morning and my heart is still applauding the performances.

Satchmo's has been open only a few weeks and up until Monday had featured mainly "Blues". Stu will be presenting the Big Band show bi-monthly and is encouraging the owner, Harold, (Fritz & Franz Bierhaus fame) to do more JAZZ. When you need a Sunday morning JAZZ fix listen in to Stu Grant on 880AM radio, starting at 9:00AM.

Tuesday often is a night where you may not find something worthwhile to listen to. Not this Tuesday. Jaimie Ousley and Samm, who appear regularly in Palm Beach, were at BJB. And they added Mike Orta on piano and John Yarling on drums. Samm has a remarkable sensitivity and her vocals are a mix of a young Billie Holiday and a mature Sarah Vaughan. I studied him and realize that Jaimie Ousley does not in anyway resemble Paul Shewchuk. "Ouch!" I better learn to duck. John used his brushes in an unusual (at least to me) manner. He reversed the handles, using them on the skins and cymbals. I asked him what they called the brush handles when they were used that way. He answered with a knowing smile. "Brush Handles." These are the kinds of questions and answers that help me understand why I always was made to sit in the last seat of the last row in class all the way through school.

Fast forward to Wednesday 12/16 at BJB. If you are in to "cabaret" a late afternoon session with Glenda Grainger provides "easy listening" relief. She was followed by a reunion of "Jazzberry Patch".

A quartet whose history goes way back to when Danny Burger had long hair and Martin Hand's hair was not snow white. Ben Champion (his hair is still in place) on tenor and Kenny Burkhart on the Hammond B3. It was a great evening, bringing back the memory of great early afternoon Sunday jam sessions at Murphys. Ben Champions alacrity and "ideas" are a jazzophiles delight. Martin did a foot stompin', head bobbin' blues and reminded the audience that the genre is a big part of what JAZZ is all about. The place was full of old time fans who showed their love to this really great quartet of JAZZmen.

JAZZ is slowly but surely expanding its South Florida market. The Newporter Hotels' "Kitchen 305" has instituted a JAZZ program after experiencing audience counts during the Jazz Fest promoted by Sunny Isles early last month. A Thursday night performance by Maria Rivas accompanied by a great quartet was enthusiastically

received by an audience some of whom might have been new to listening to a JAZZ vocalist. Maria has a distinct manner of delivering in the four languages I love best. In alphabetical order, not necessarily importance---English, Portugese, SCAT and Spanish. Maria will be featured on Thursday for the next few weeks. I spoke with the manager and he was enthusiastic about a possible expansion of the JAZZ program. Flo and I will be travelin' north to spend some holiday time with our family. We will try to get out and listen to some N.Y. "sounds" while we're there. Happy Thanksgiving to all of you (hip) (hep) hoppin' JAZZOPHILES. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 
Wednesday Flo and I returned to our real lives (music). The Miami Dade College Wolfson Campus

has a once a month JAZZ program on Wednesdays at noon. If you work, live or go to school in the area try to make time for these 1 to 1 1/2 hour free concerts. This days guest artist was trumpeter/composer Brian Lynch. On stage providing background, solos and rhythm were Professors Mike di Liddo (guitar) Jim Gasior (piano) Rick Doll (upright bass) Rodolfo Zuniga (drums). Brian Lynch reminisced about a time (1981) when he and Rick Doll played club dates at a joint in the Park Slope section of Brooklyn for $4 a night. Lynch evoked the memory of Bunny Berrigan with his completely original interpretation of "I Can't Get Started" which included a masterful cadenza to end the number. He also did a solo on an instrument I have personally never seen or heard before, Piccolo trumpet. I strongly recommend that Jazz listeners look for the upcoming events.

Later that evening we ventured North to the "Top of the Bridge" at the Bridge Hotel in Boca Raton. They have a weekly music program that often features some of our local JAZZ musicians. Large banquet style room, full bar, tasty appetizer menu, and a dance floor for those who would choose to. The reason for the "road trip" was Greg Diaz (Mad Romance) performing on sax and vocals with a great rhythm section - Pete Wallace-piano--James McCoy-bass--Rodolfo Zuniga-drums. Totally enjoyable.

On the way back home, in order to not destroy our reputation by returning home before 1:00am, we stopped by Blue Jean Blues. The featured artist that night was the inimitable Jesse Jones, Jr. If you want to escape "that Wednesday is worse" syndrome, make it to Danny's "Showcase" at Blue Jean Blues, it really offers mid-week relief. Jesse, again proving his versatility did "Stormy Monday" with vocalist Rita Wilburn.

To say the least, being totally redundant, Wow! What a Wonderful Whale of a Wednesday.

Friday and Saturday were "Blues, Funk and R&B" nights.

Sunday evening the Sunshine Jazz Organization continued the birthday celebration for its founder , China Valles. He is 86 and still a very warm and charming man. Sunshine Jazz presented Ira Sullivan and his Inter/Outer World Ensemble. A rare appearance by Dante Luciani was most welcome. Brian Murphy played keys on his Roland JV90. He refers to it as a toy. John Yarling was on drums and there seemed to be something extra special about the "talking" between he and Brian. Jaimie Ousley on bass. Apologies to Jaimie for confusing him with Paul Shewchuk. After all they do look so much alike.---Do I have to apologize to Paul now? Miss Alice Day did an embracing "Happy Birthday China". Ira and the band then did a dedicated to China "Slow Boat to China". Marc Berner joined Ira on his always moving "Amazing Grace".

An aside note: A dollar, a dream, add hard work and dedication. What's the result? Blue Jean Blues. A little over two years ago, a guy who I know only as Tony set his mind to opening a jazz club ' in Fort Lauderdale. He picked a spot, put up his money (a lot more than a dollar) and started out on his dream. He needed a face and some hard work for the "joint". The answer, Melody. What a great choice. She grew up in the same neighborhood of The Bronx that I did. It is known as "Fort Apache". The infamous 41st Precinct of the NYPD. She hung on through those first few months of that spring, summer and fall. Melody never faltered. She kept Tony's and now her, dream alive. Nose to the grindstone and shoulder to the wheel, searching for the right talent and the right formula. She, and a hard working, hand-picked staff, did it. I write this to inspire others with dreams of owning, opening or starting live jazz clubs. Do it. Jazz is alive in America and especially in South Florida. We have oceans of talented musicians needing only places to perform. SUPPORT LIVE JAZZ. Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

November 16, 2011
 
November 12, 2011 Starting with Saturday Nov 5----Saturday provided plenty of great choices. Just a couple of college games on TV. Flo and I generally go to our local Duffy's because the coach (Flo) can keep track of three and sometimes four games at a time. I generally kick it with a brew or two or maybe a margarita with salt. I think if they had live jazz she and I might consider moving in.

That night our beloved China Valles celebrated his 83d birthday with friends and family at Nicks Restaurant in Fort Lauderdale. Miss Alice Day was there but Flo and I went forth into the evening before she sat in with the house band. We didn't have to go far, just a couple of blocks away Troy Anderson and his band was at Blue Jean Blues. Always a lot of fun.


Sunday was the day for the "Battle of the Big Bands" Dillard vs. New World. This is not War. It was an afternoon of listening to some of the most talented and creative high schoolers that one could even imagine. Percussionists, horn players, rhythm sections and vocalists that will someday be headlined at major clubs and be written about in "Downbeat" performed for an absolutely packed house. Pete Francis is the band Director. The band is excellent and finished in 4th place out of 110 bands nationwide that were considered for the Ellington Award. I am fain to mention names for fear of slighting someone but I would be remiss if I didn't mention Tony Madruga (piano) and David Leon (saxophone). Non-pareil. Flo and I were present when Tony celebrated his 16th birthday while performing at Dizzy's Club in New York and that was only last year. The band finished their set with Sonny Stitts "The Eternal Triangle" which brought the audience to its feet and cheering aloud.

The Dillard Center For The Arts Band followed. The venerable Christopher Dorsey is the Instrumental Music Director and fronts the band. This band won the coveted Ellington Award last year. Our good luck wishes are with both bands for this coming years competition. When you mention Dillard you seldom have to say more than the name. Its reputation for nurturing the JAZZ stars of the future is heralded by all. The band has thirty members including two young ladies doing vocals. Ladies first. Liza Honorat and Shanice Richards wowed the attendees with their individual presentations. I have been privileged over the last few years to have heard some of the band members performing at Gold Coast Jazz First Friday Jams at ArtServe in Fort Lauderdale. This on-going program gives aspiring youngsters an opportunity to "jam with the pros" before a live audience. Try attending. You will definitely "enjoy" I've listened and been enthused by their dedication to master the music we all love so dearly. The guys that have been here a while know how much Flo and I admire and support them so I hope they will not be upset by me not mentioning there names here. I am positive I will have plenty to say about them in the future. I must "shout out" to some special freshmen. How about Bianca Nieves on drums, Christian Cummings (saxophone) and Max Boika (trumpet).
 
I truly don't know if it is the Miami Jazz Co-op's efforts in promoting it or Flo and me being out and about every night, but there is definitely a renaissance of jazz going on in Miami and Broward. New venues opening, progress in MJC's search for a permanent site and talented young musicians being drawn to the genre. It should make all of us optimistic about the future of the music we love so much.  Jazz enthusiasts have to be active in supporting live Jazz, wherever and whenever it happens.


Tonight, Danny Burger celebrated the 1 year anniversary of his Jazz Showcase at Blue Jean Blues. Joe Donato was the featured artist. It was truly fitting as Joe was the first of many to headline the Showcase.  A 17 year old, alto saxophonist, David Leon, from the New World School sat in and had all in attendance totally amazed. The rhythm section included Matt Bonelli on upright bass (a rare treat) and Dolph Castellano playing piano. Martin Hand picked a great time to bring his "axe" and his counterpoint duet with Matt on the theme from "Black Orpheus" provided one of those magical moments in jazz that keep all of us listening. Joe wrote a "Blues" lyric for the celebration. He was wearing a tee-shirt with a picture of Yardbird - Charlie Parker. Before starting the number, Joe, tapped the picture on his shirt and said "Sorry, Charlie".  Most of the audience chuckled appreciating what Joe meant. It brought to mind an old question. "Are the blues really jazz?"  My stock answer has always been--- "If the blues ain't jazz then ham ain't pork, chicken ain't poultry and Mona Lisa was a man." It is true that many blues men do not or cannot play jazz. Also true is that blues are basic, with simple and repetitive chord structure.  Now think about how creative bluesmen have to be in order to make each of these songs different from each other in some way. It all had to start somewhere. I venture to say it came from "the wail of a downhearted frail". 

Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

November 3, 2011
 
November 2, 2011 The night after all the Halloween parties vanished like vampires at dawn, Jazz lovers got a post holiday treat. Maria Rivas, a "brasileira cantora", now based in South Florida, made an appearance at BJB in Fort Lauderdale accompanied by Jim Gasior on piano and Dr. Jaimie Ousley on upright bass. Those of us who were at the "Rent Party" remember her performance there. Her unique, swinging, rendition of "It Might As Well Be Spring" was like a breath of that season itself. Following in the seasonal vein, her haunting voice softened every heart in the "joint" with "Autumn Leaves". Maria's scat vocals with that slight Brazilian accent are a refreshing delight and were enthusiastically received by all in attendance. There is a strong samba influence on her interpretations, even American songbook ballads. It makes for an evening of pleasurable listening. Of course her vocals were enhanced by Jaimie and Jims rhythmic backgrounds and solos.

Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.
 

Last nite (Halloween) I got both tricked and treated. Flo and I dressed up in costumes and ventured forth. She went as Flo and I as me. We left candy and treats outside our unit door for the expected arrival of kiddies.

" Satchmo's" a fairly new opening on Commercial had Iko Iko, traditionally a blues band but they advertised a featured artist who is a jazz educator and central figure in "our" south Florida scene. The trick----and the treat-----Nicole Yarling-----No way, you say. Way, I say.

Nicole did it all. Violin solos, vocals, rock, blues and even some Jazz. Ms. Yarling did a Chuck Berry number that rocked the house. She never disappoints. I hope to speak with the venue owners about featuring an evening of Jazz at least one night a week.

Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

November 1, 2011
 
October 31, 2011

This past Wednesday at Danny Burgers Showcase (Blue Jeans Blues), Ira Sullivan was the featured artist. Need I say more. Ira was in full be-bop mode, playing brilliant, fast-paced riffs on his trumpet. Ira also did several selections on flute accompanied by bass flautist Marc Berner. Paul Shewchuk on bass, Brian Murphy at the piano and using sticks, brushes and everything else was Danny himself. A young (14) alto player sat in for more than the usual 2 numbers for good reason. Remember the name because you are sure to hear of and from him in the future. Chris Cummings. He CAN play.

A week ago Sunday I had the privilege of attending the installation of Melton Mustafa into the Sunshine Jazz Organization's Hall of Fame. The host band was the Jesse Jones Jr. Quartet. Mike Levine at keys, Paul Shewchuk upright bass, James Cottman on drums, Melton Mustafa Jr. on sax, with special guest Miss Alice Day. The well loved Jazz disc jockey, China Valles was there and Mel Dancy did a couple of songs. Melton and his lovely wife were there to accept the award. Melton rose to the occasion and played a couple of tunes on his trumpet. It was an inspirational moment for all in attendance. Ira Sullivan and Marc Berner sat in. They were joined by Miss Alice Day to close the show with a moving rendition of "Amazing Grace"

"Ciao"a relatively "new" place that features jazz on Saturday nights is in the space formerly occupied by Alligator Alley on Commercial Blvd. In spite of the awful weather, Flo and I, Pam from Gold Coast Jazz and her husband, and several of our friends came to listen to Debbie Orta with Randy Berensen on guitar. They did some interesting experimental things that kept us listening and alert.

Keep tappin' your toes on the downbeat and clappin' your hands on the upbeat.

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